When Cass accidentally discovers the mutilated body of a young courtesan, she is forced to find the killer before he finds her. With the aid of Falco, a handsome artist who seems to mysteriously appear whenever she needs help, they plunge into the darkness of elite society. As more girls turn up dead, they begin to unlock the mystery of who might be friend and who might be foe.
**Note: For people who love this book, love the author, or find great pleasure in commonplace romances where they know exactly what will happen before they read a word, you probably want to stop reading.**
Characterization: Cass is a shallow, dislikeable character. She spends most of the book whining about her life being planned for her. When she isn’t obsessing about how unfair life is, she’s obsessing about Falco – a character that we know nothing about, even after 431 pages. Probably the most disturbing part of Cass’s character is that the author attempts to use her to convey a strong female character bucking Renaissance conventions towards women; however, all she seems to think about is making out with Falco - or her fiancé Luca (another character that’s never developed), which undermines the whole “strong female” thing.
Cass’s constant need for male companionship wears on the reader. Scene after scene she suspects Falco is the real killer (or at least an accomplice), but within a paragraph, he will smile at her, and she will change her mind because of his kissable lips or taunt muscles.
Cass is supposed to be fifteen years old. There is no way. Her language, actions, and the basic context of this novel make the fact that she’s fifteen completely unbelievable. In fact, as I read, it seemed more plausible that she was at least seventeen or eighteen while Falco should have been in his early twenties. This leads me to believe that this novel might be geared more towards adult readers rather than young adult.
Plot/Context: The book jacket promised a romantic suspense thriller. By definition, this book meets those guidelines; however, there was no originality to the plot at all. On more than one occasion, I felt as though I was reading a Harlequin romance novel that my grandmother had snuck to me while I was in high school. Just like Harlequin novels follow formulaic character and plot outlines, this novel did, too. There was little suspense, and the romance was really lust disguised as “love.” In fact, “lust” WAS the plot.
Love Triangle: There was indeed a love triangle, but I could care less who won Cass. In fact, I was hoping that she would be killed off so that both men could find someone with some substance.
I gave this novel two stars because the author managed to keep the identity of the killer a secret until the very end. Of course, the killer was so random that I almost forgot that that person was in the book. Which leads to another frustration. This book is 431 pages of cliché and predictable storyline. To quote my student, “Someone needed to grab a scalpel and carve a plot out of all of those pages.”